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October: Ten Days That Shook the World (Russian: Октябрь (Десять дней, которые потрясли мир); translit. Oktyabr': Desyat' dney kotorye potryasli mir) is a Soviet silent historical film by Sergei Eisenstein and Grigori Aleksandrov. It is a celebratory dramatization of the October Revolution commissioned for the. 24 Oct Coleridge said that seeing the fiery Edmund Kean act was “like reading Shakespeare by flashes of lightning”. Watching Sergei Eisenstein's classic silent film October is like watching the Russian revolution the same way. It's surreally lit up by stark images that sear your retina; gone the next second, to be. Other articles where October is discussed: next made a film entitled October, or Ten Days That Shook the World, which in the space of two hours dealt with the shifts of power in the government after the Revolution, the entrance on the scene of Lenin, and the struggle between the Bolsheviks and their political and.
Directed by Grigoriy Aleksandrov, Sergei M. Eisenstein. With Boris Livanov, Nikolay Popov, Vasili Nikandrov, Layaschenko. In documentary style, events in Petrograd are re-enacted from the end of the monarchy in February of to the end of the provisional government and the decrees of peace and of land in November. To analyze Eisenstein's OCTOBER, we must first understand his theoretical premises and then examine whether he was able to render them cinematically. If we apply Western film values and sit passively in the dark, regarding OCTOBER as simply another sequence of moving celluloid, we watch the movie through a. Commissioned by the October Revolution Jubilee Committee (Chairman, Nikolai Podvolsky) for the tenth anniversary of the revolution, Sergei Eisenstein's third major feature film October is a marvellous reconstruction of the events from February leading up to the revolution, and of the Bolshevik's overthrow of the.
Commissioned by the Soviet government in honor of the 10th anniversary of the Soviet Revolution, this work is considered a propaganda film for its meticulous reenactment of the mass spectacle The Storming of the Winter Palace. Edited in Eisenstein's “intellectual montage” style, October is an unemotional but .