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Loudspeaker: The Why And How Of Good Reproduction download
Loudspeakers: The Why and How of Good Reproduction [G.A. Briggs] on *FREE* shipping on qualifying offers. Fourth Edition This book was written by , a founder of Wharfedale (one of the most famous brand name loudspeakers in UK). This book covers all the fundamental theories of loudspeaker. Title, Loudspeakers: The why & how of Good Reproduction. Author, G. A. Briggs. Edition, 3. Publisher, Wharfedale Wireless Works, Original from, the University of Wisconsin - Madison. Digitized, Nov 28, Length, 88 pages. Export Citation, BiBTeX EndNote RefMan. QUANTIFYING SOUND QUALITY IN LOUDSPEAKER REPRODUCTION. Fig. 2. The processing pipeline of PREQUEL. 1 second of silence recorded before the music fragment starts. Binaural recordings of the reference signals were made with a HATS, using the best quality loudspeakers available, in the ideal listening spot.
Low-frequency Reproduction. SAUL J. WHITE". A discussion of the characteristics which must be built into a low-frequency loudspeaker in order to maintain good efficiency with as smooth a response curve as possible. A LOUDSPEAKER capable of extended low-frequency range without com- promise of other values does. Once you have chosen a good loudspeaker from a reputable manufacturer and paid a good price for it, you might presume that you would get good sound reproduction from it. But you won't not without a good enclosure. The enclosure is an essential part of sound production because of the following problems with a. 25 Mar No speaker I've heard in 20 years of reviewing, and another 16 years of selling high-end audio speakers sounded exactly like live music. Of course some get closer -- a lot Another put it this way: "Accurate tonal balance, good imaging, and soundfield reproduction." Another responder commented, "1.
23 Jan Conversely, I liked the Pipedreams best when I sat really close and heard only to a section of the tall line, as if they were giant headphones, but then a much smaller speaker could do the same. My conclusion is that uniform line source speakers are not what I would pursue for accurate sound reproduction. The year before, Kuhl and Plantz () investigated “the directional properties of loudspeakers that would be most suitable for control-room monitoring. Using only professional sound engineers as listeners, they found that narrow- dispersion loudspeakers were required for good reproduction of voices in radio dramas;. 31 Jan Loudspeakers and. Rooms for. Multichannel Audio. Reproduction by. Floyd E. Toole. Vice President Acoustical Engineering. Harman International . *Sounds good over most of the room. You can look out the window! Logic-7 (Lexicon, Harman/Kardon), Dolby ProLogic II. The traditional channel.